Classic Rock News

CLEVELAND, OH - APRIL 18: Inductee Joan Jett of Joan Jett and The Black Hearts (L) performs with musicians Tommy James (C) and Miley Cyrus during the 30th Annual Rock And Roll Hall Of Fame Induction Ceremony at Public Hall on April 18, 2015 in Cleveland, Ohio. (Photo by Mike Coppola/Getty Images)

There’s something haunting yet soothing about “Crimson and Clover.”  I hear it and I am instantly transported somewhere more zen.  It’s a standout song with a simple recipe.  Tommy James’ favorite color and flower equals and magnificent piece of timeless psychedelic rock and roll.  The path was not without struggle.  Most of Tommy James’ songs were written by Bo Gentry.  When Bo quit, no one believed that Tommy could write a hit song.  And the timing was unbelievable.  This song was released right on the cusp of rock and roll’s emergence from singles to albums. When bands like Led Zeppelin, CSN, and Blood Sweat and Tears broke, bands like Gary Pucket, The Rascals, and The Association never had another hit.  Tommy James survived.

“Crimson and Clover”

The song has been used in numerous movies and TV shows.  I’ve been watching the series, Willow, on Disney+.  I really like the show but most people seem to love it or hate it. Last night I saw episode 5. The show featured a cover of this Tommy James and The Shondells’ song.  I thought the song worked in the episode clip… I don’t know if I love what the Pom Pom Squad did with the whole song.  In case you want to decide for yourself:

What Tommy James Had To Say

In an interview with Songfacts, Tommy James said,They were just two of my favorite words that came together. Actually, it was one morning as I was getting up out of bed, and it just came to me, those two words. And it sounded so poetic. I had no idea what it meant, or if it meant anything. They were just two of my favorite words. And Mike Vale and I – bass player – actually wrote another song called ‘Crimson and Clover.’ And it just wasn’t quite there. And I ended up writing ‘Crimson and Clover’ with my drummer, Pete Lucia.”

In the same interview, Tommy also said, ‘Crimson and Clover’ was so very important to us because it allowed us to make that move from AM Top 40 to album rock. I don’t think there’s any other song that we’ve ever worked on, any other record that we made, that would have done that for us quite that way.”

FUN FACTS:

The song was at the top of the charts over Christmas in 1968.  A lot of people thought Tommy was singing, “Christmas is over,” instead of “Crimson and Clover.”

The song is only 2:30 ish.  In the day, many radio stations spliced together edits to actually make the song LONGER.  In this video, I’m looking at Tommy James, but all I really see is Austin Powers… yeah, baby!

Vice President Hubert Humphrey wrote the liner notes for the album. Humphrey asked James to run his “Youth Affairs” commission during his 1968 campaign.

No One Thought Tommy James Could Write a Hit

Kenny Laguna (songwriter and producer) played keyboards and sang backup as a member of The Shondells. Kenny was with the band when the song was made… really against the odds. “Bo Gentry wrote all these songs for Tommy James, from ‘I Think We’re Alone Now’ right on through ‘Mony Mony.’  There were other co-writers, but Bo was the genius, the driving force.  Bo wasn’t getting paid by Roulette Records, so he went on strike. He refused to make any more Tommy James records. In those days, the legend, Morris Levy, said he was not going to be pushed around and said, ‘Fine, you want to quit, quit. It will be the end of your career.'”
“We went to Tommy and said, ‘Look Tommy, if you don’t get someone to write the songs for you, you’re going to be dead meat. You can’t go trying to do it yourself. You don’t know how to write hit songs.’ So he went off with the drummer and created this song. I’ll never forget it.’ Everybody kind of deserted Tommy, and he went off and just did this incredible song. He wrote it, produced it, and played all the instruments with the drummer.”
Kenny Laguna has also worked with Joan Jett (since the start of her solo career).  No surprise that Joan Jett covered the song. When Joan was inducted into the Rock and Roll Hall of Fame, she performed this song joined on stage by Tommy James, Miley Cyrus and Dave Grohl.

Rock & Roll Hall Of Fame: 17 Musicians Left Out of Their Band's Induction

We all know that fans love to argue about what artists should, and should not, be in the Rock and Roll Hall of Fame. But another good argument that fans and artists have more and more frequently is: when a band is inducted, which members should be included? Gene Simmons and Paul Stanley of KISS, for example, were angry that only the original lineup was included in their induction, and not later members like Eric Singer, Tommy Thayer, and the late Eric Carr.

A couple of weeks ago, former Black Sabbath/Dio drummer Vinny Appice made headlines when he referred to the Rock and Roll Hall of Fame as “a bunch of f—in’ a–holes” for not including Dio with Sabbath. He has a point!

There are certainly lots of examples of bands who have had so much turnover that it definitely wouldn’t make sense to include everyone. Over 50 musicians have passed through Santana’s lineup. Chicago has had nearly 30 members over the years. Obviously, you have to be an excellent musician to step on stage or in the studio with those groups. But only a few of the members were truly important to the band’s peak era(s).

With that in mind, there are still some examples of musicians with vital roles in their respective bands’ histories, whether it was playing on classic material, or being a part of the band’s formation. We found more than a few examples of musicians that fit one or both of those descriptions but weren’t included in those bands’ inductions. Here’s hoping that the Rock Hall comes up with a new category to recognize these vital artists.

  • Ronnie James Dio and Vinny Appice of Black Sabbath

    We can understand why the Rock Hall wouldn’t want to delve too deeply into Sabbath’s long and confusing lineup history: over 20 musicians have passed through the band’s ranks. And frankly, most of their later lineups were good, but not great. And some weren’t even good. There’s no arguing that the original lineup – Tony Iommi, Ozzy Osbourne, Geezer Butler and Bill Ward – is the version of Black Sabbath that changed the world. That said, their second iteration – Tony, Geezer, Ronnie James Dio and Vinny Appice – was an important part of moving metal forward in the ‘80s. We hope that the band Dio (which would include RJD and Appice, obviously) is inducted one day. One way or another, Ronnie James Dio belongs in the Rock and Roll Hall of Fame, as does Vinny Appice.

  • Gram Parsons of the Byrds

    As with Sabbath, the Byrds’ original lineup – guitarist/singer Roger McGuinn, guitarist/singer David Crosby, singer Gene Clark, bassist/singer Chris Hillman and drummer Michael Clarke – were game changers in rock and roll. But one of their greatest and most influential albums was 1968’s Sweethearts of the Rodeo, a seminal influence on country-rock, or “Americana,” as it is often referred to. And by the time they made that album, Crosby, Clark and Clarke had all left the band. Singer/guitarist Gram Parsons was a big part of the band going from psychedelic folk to country-inspired rock (and back then, country and rock rarely mixed). Parsons could be nominated for his very influential solo career, but he really should have been included with the Byrds.

  • Nick Simper of Deep Purple

    Like Black Sabbath, Deep Purple has several lineups. Unlike Sabbath, the Rock Hall acknowledged more than one of them. Purple’s most famous lineup is “Mk. II”: keyboardist Jon Lord, guitarist Ritchie Blackmore and drummer Ian Paice, with singer Ian Gillan and bassist Roger Glover. “Mk III” was also acknowledged, as singer David Coverdale and bassist/singer Glenn Hughes were included. “Mk I” – the original lineup, who had hits with “Hush” and “Kentucky Woman” – was recognized too. That lineup put out three albums: 1968’s Shades of Deep Purple, 1968’s The Book of Taliesyn and 1969’s Deep Purple. Singer Rod Evans from that era was included, although bassist Nick Simper, who played on the same three albums, wasn’t.

  • Anthony Phillips of Genesis

    Most Genesis fans agree that there are two classic eras of the band: the prog rock era of Peter Gabriel, Steve Hackett, Tony Banks, Mike Rutherford and Phil Collins. And then there was the more popular, stripped-down Banks/Rutherford/Collins era. But not everyone knows that Collins and Hackett weren’t original members. Anthony Phillips was the band’s original guitarist and the group’s leader in their early years. Sure, he only played on two albums – 1969’s From Genesis To Revelation and 1970’s Trespass, but those albums had some early classics, like “Stagnation,” “The Knife” and “The Silent Sun.” He was a vital part of the band’s early history, and the Rock Hall should not have ignored him.

  • Chad Channing of Nirvana

    He played on Nirvana’s first single, “Love Buzz,” as well as on most of their debut album, 1989’s Bleach. Yes, Dave Grohl is the band’s most famous drummer, and Grohl played on their breakthrough album, Nevermind. Although as Grohl noted at Nirvana’s induction into the Rock and Roll Hall of Fame, on Nevermind, he was playing drum riffs that Channing came up with on the demos. But Bleach is a classic and so is “Love Buzz.” Interestingly, Jeff Ament of Pearl Jam listed Channing on the t-shirt that he wore to Pearl Jam’s Rock Hall induction, which was a long list of artists that he felt should be inducted. And weirdly, he didn’t even mention the former Pearl Jam drummers who weren’t included with their band. Which brings us to…

  • Dave Abbruzzese of Pearl Jam

    Pearl Jam have had four drummers over the course of their eleven albums and one EP. Dave Krusen and the band parted ways after their debut album, Ten, and he was, rightfully, included in the induction. That makes sense: Ten remains the band’s most popular album. Matt Cameron is the band’s longest-running drummer, having been with them for over two decades, so he was included. That makes sense, too. But the exclusion of Dave Abbruzzese is a bit confusing: he played on much of the tour promoting Ten, including the band’s legendary episode of MTV Unplugged. He also played on two very popular albums: 1993’s Vs (7x platinum in the U.S.) and 1994’s Vitalogy (5x platinum in the U.S.).

  • Jack Irons of Pearl Jam

    We’d also argue that Jack Irons should have been included too. He joined at a chaotic time for the band, and was something of an elder statesman: he’d already been a member of the Red Hot Chili Peppers and had played in former Clash leader Joe Strummer’s band. He was a bit more mature and experienced, and he encouraged the band to experiment more, which they did on 1996’s No Code. That was also was the album that led to their return to the road, after not touring for the prior two albums. He was also on 1998’s Yield. Irons, of course, is already a Rock and Roll Hall of Famer as a member of the Chili Peppers. But he should have been alt-rock’s first two-time inductee (Dave Grohl has that honor, having been inducted with Nirvana and the Foo Fighters).

  • Jack Sherman of the Red Hot Chili Peppers

    Hillel Slovak was the original guitarist in the Red Hot Chili Peppers, but he left before their debut album. Jack Sherman took over and played on 1984’s Red Hot Chili Peppers. Anthony Kiedis is referring to him when he yells, “Better be burnin’, Sherman!” in “Out In L.A.” Sherman also co-wrote much of their second album, 1985’s Freaky Styley, but the band fired him before they recorded it, after Slovak decided to return to the group. Those aren’t their greatest albums, but Jack Sherman deserves respect for his part in both of them.

  • Dave Navarro of the Red Hot Chili Peppers

    Writing “Dave Narvarro of the Red Hot Chili Peppers” over twenty years later feels weird. Like, “Did that really happen?” Navarro joined the band in late 1993 and only played on 1995’s One Hot Minute. But, when the Peppers were inducted, guitarist Josh Klinghoffer was included, and at that point, he’d only played on 2016’s The Getaway, which isn’t classic either. But hopefully, Navarro will get in the Rock and Roll Hall of Fame eventually with his main band, Jane’s Addiction.

  • John Rutsey of Rush

    It’s easy to forget that Rush wasn’t always Geddy Lee, Alex Lifeson and Neil Peart. But John Rutsey was the band’s original drummer, playing on their 1974 self-titled debut. Peart took over as drummer (and lyricist) on the follow-up, Fly By Night, but Rush had some amazing Zep-influenced garage rock classics on their first record. “Finding My Way,” “In The Mood” and “Working Man” are all incredible and Rutsey played on all of them.

  • Neal Schon of Santana

    As we mentioned, Santana has had a lot of members pass through its ranks. We understand why the Rock and Roll Hall of Fame would only want to include the founding lineup, who recorded the band’s first two albums: Carlos Santana, keyboardist/singer Gregg Rolie, bassist David Brown, drummer Michael Shrieve and percussionists José “Chepito” Areas and Mike Carabello. But Santana III is a classic, as is the much weirder follow-up, Caravanserai, and Schon played on both of those. He should have been acknowledged by the Rock Hall for that. At this point, it’s not too big of a deal, as Schon is in the Rock Hall with Journey, the band he formed with Rolie after they left Santana. Rolie, by the way, is probably the most low-key two-time Rock and Roll Hall of Famer.

  • Steve Ferrone and Scott Thurston of Tom Petty and the Heartbreakers

    Thurston joined the band in 1991 as an extra guitarist/keyboardist. Ferrone joined after playing on Petty’s classic 1994 solo album, Wildflowers (some of the Heartbreakers have taken umbrage at the idea that it’s a “solo” album; it was mainly dubbed such because original drummer Stan Lynch didn’t play on it, but he hadn’t yet quit the Heartbreakers). They both played on the final four Heartbreakers albums and during their two decades in the band, played countless shows. Not just any shows, either, but some of the best concerts that the Heartbreakers ever played. If you want proof, check out the upcoming Live At The Fillmore box set, recorded over an extended string of dates at the storied venue in 1997.

  • Doug Yule of the Velvet Underground

    Velvet Underground fans have a few reasons to dislike bass player Doug Yule. First off, he replaced original member John Cale, and helped to take the band’s avant-garde sound in a (relatively) more mainstream direction. Worse, after Lou Reed, Sterling Morrison and Maureen Tucker quit, Yule had the audacity to continue on with a new lineup, making a rightfully ignored album, 1973’s Squeeze. On the other hand, some of the Velvets’ biggest classics came after Yule joined the band, including “What Goes On,” “Pale Blue Eyes,” “Beginning To See The Light,” “New Age,” “Oh! Sweet Nuthin’,” “Rock and Roll” and “Sweet Jane.”

  • Peter Banks of Yes

    Most of Yes’s classics feature either Steve Howe or Trevor Rabin on guitar. But Banks is the band’s original guitarist, having played on 1969’s Yes and 1970’s Time and a Word. It’s true that the band got much more popular after Howe joined, but that shouldn’t minimize Peter Banks’ contribution to the band’s early history. What can we say: we feel like founding members of Rock and Roll Hall of Fame bands should be acknowledged.

  • Eric Carr of KISS

    If any non-founding member of KISS should have been included, it’s Eric Carr. He’d likely be their drummer today, had he not succumbed to cancer in 1991 at the age of 41. He was an important part of the band’s transition to the ’80s – -and importantly, dropping the makeup. He played on a lot of classics, including “Creatures Of The Night,” “I Love It Loud,” “War Machine,” “Lick It Up,” “Heaven’s On Fire,” “Thrills In The Night,” “Who Wants To Be Lonely,” “Tears Are Fallin'” and the ballads “Reason To Live” and “Forever.”

  • BONUS: Bernie Taupin

    Ok, this is a kind of unique one. Bernie doesn’t play or sing on Elton John’s records. He has, however, written the lyrics to most of his classics. And hey: Robert Hunter was included with the Grateful Dead – he also didn’t play or sing, his job was to write their lyrics. And yes, Elton is a solo act, not a “band” – but this year Pat Benatar’s induction will (rightfully) include her guitarist/collaborator/husband Neil Giraldo. Taupin was essential to Elton’s artistry and to his success. As Elton said when he was inducted into the Rock and Roll Hall of Fame, “Without him, the journey would not have been possible. I kind of feel [like I’m] cheating standing up here accepting this. Without Bernie, there wouldn’t have been any ‘Elton John’ at all. And I would like him to come up and I would like to give this to him.” It’s long past time that the Rock and Roll Hall of Fame gave Taupin his own honor.

Donielle Fynn is a Michigan native with two kids, two dogs, two cats, a love of yoga, and all things classic rock.

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